Archive for the 'A Closer Look' Category

College-Aged Characters in YA

Wednesday, October 20th, 2010

Over the past few weeks, I’ve had more than one conversation about the pros and cons of featuring college-aged protagonists in YA. I’ve heard agents and editors say that having a YA character in college is a tough sell, that there isn’t much of a market for it. That’s why writers are often told that [...]

Lessons from a Rom Com

Monday, October 18th, 2010

Over the weekend I watched The Proposal, mostly because I love Sandra Bullock and I was in the mood for something light and fluffy. As far as rom coms go, it was pretty typical. But as I was watching (and thinking about my WIP revision) I realized there were two very important lessons to be [...]

My Three-Point Revision Checklist

Wednesday, September 15th, 2010

I know there are a lot of revision checklists out there, but since everyone revises a bit differently, I thought I’d add my own to the mix. While there are lots of smaller things to think about during revision (language, dialogue, etc.) I’m listing the top three things I address in revision, with examples from [...]

Tension = Conflicting Emotions

Wednesday, August 25th, 2010

I’m almost finished reading The Fire in Fiction by Donald Maass, and I think his chapter on tension is one every writer should read. Tension is what keeps us turning the pages. It can come from a variety of things, but as Maass points out, one of the most effective ways of creating tension is [...]

Making a Story Your Own

Monday, July 26th, 2010

Today I wanted to talk about fairy tale retellings, especially since that’s what I’ve been focusing on in my writing recently. Right now I’m about halfway through reading Ash, a retelling of Cinderella by Malinda Lo. I’m really enjoying the story and the writing is lovely. As I’ve been reading, I’ve been thinking about the [...]

A Lesson on Openings and Setting from DARK LIFE

Wednesday, June 30th, 2010

One of the things that makes speculative fiction so fascinating is setting. Often you want to give the reader a sense of the setting right away, but how can you do that without boring her? Well, as I was reading Dark Life by Kat Falls yesterday, I realized she does this very well. First off, [...]

Finding Your Middle Grade Voice

Monday, June 21st, 2010

In a recent post on Children’s Writing and Illustrating, David Caruba shared some of his “State of the Children’s Book Publishing Industry” presentation from this year’s NJ-SCBWI conference. There was lots of great info there, but what really stood out to me was his report on the middle grade market. Middle grade stories remain strong, [...]

Endings Are About Trust

Monday, May 24th, 2010

So did you watch “Lost” last night? I’m still processing it, but it did make me want to talk about endings. While I was watching the incredibly long finale, I thought back to what Marla Frazee said at the SCBWI conference: “Endings should disarm us. They should be satisfying and mysterious at the same time.” [...]

6 Reasons I Stop Reading (and How to Avoid Them)

Friday, May 14th, 2010

I’ve been having great luck with books recently (Before I Fall, Incarceron, Mistwood) but for a while I was in a serious reading dry spell. I’d pick up book after book and not get more than a few chapters in. After reflecting on all those books I couldn’t get through, I’ve come up with a [...]

A Lesson on Dual POV from INCARCERON

Wednesday, May 5th, 2010

I just finished reading Catherine Fisher’s Incarceron yesterday and can’t stop thinking about what a great story it was. Of course, when a book stays with me like that, I try to analyze what exactly worked about it. I think in the case of Incarceron, it was the story’s fascinating (but not off-putting) complexity and [...]